Story trace
| Group | Role | Reports |
|---|---|---|
| Social post, no document | Origin | 1 |
| Outlets quoting the post | Repeat | 24 |
| Aggregators, no sourcing | Repeat | 6 |
| Primary document | None | 0 |
Sample record. Illustrative data.
Solutions · Corporate affairs
Communications and corporate affairs teams need to know whether a story has many origins or one, whether it is changing as it spreads, and what the primary documents say.
Communications and corporate affairs teams need to know whether a story has many origins or one, whether it is changing as it spreads, and what the primary documents say.
Origin. The first report of a claim. Repeat. A report that only relays another. 7Analytica marks each one, so many repeats are not mistaken for many confirmations.
01 Instrument
Scrub through two days. Each mark is a report. Watch the origins stay at one while the volume climbs, then read how the framing spreads by zone.
Narrative timeline and framing spread
Reports
27
of 31
Origins
1
the first post
Corrections
2
logged
Framing spread by zone
Left is one lean, right is the other. A wide bar means the same story reads differently inside one zone. Numbers are reports in the zone.
Volume looks like momentum. A story repeated by forty outlets may rest on a single post, and responding to the volume instead of the origin spends effort in the wrong place.
Scrub through two days. Each mark is a report. Watch the origins stay at one while the volume climbs, then read how the framing spreads by zone.
02 A sample day
Scroll through one working day. Each step is written to the record as it happens, in your local time.
08:00
In the record Story on the watchlist
10:20
In the record 1 origin among 31 reports
12:00
In the record Framing departs in 2 zones
14:30
In the record 2 corrections logged
16:00
In the record Response drafted
17:30
In the record Position sealed, 17:30 local
A sample day, built from how 7Analytica works. Every step is written to the record as it happens, in your local time.
03 Numbers
These are facts about how 7Analytica is made, not results. They are the same for every audience.
5inputsInputs to a score
8zonesMedia zones
6axesQuestions audited
1time zoneOne clock
These are facts of how 7Analytica is made, not results. They are the same for every audience.
04 Before and after
On one side the work is done from scattered fragments. On the other it is done from the record. This is an illustration, not a result.
Fragments
Responding to volume
The record
Responding to the origin
An illustration of the difference between working from fragments and working from the record.
Records built from sample data. They show the shape of the work, and are not a claim about any real person or organisation.
Story trace
| Group | Role | Reports |
|---|---|---|
| Social post, no document | Origin | 1 |
| Outlets quoting the post | Repeat | 24 |
| Aggregators, no sourcing | Repeat | 6 |
| Primary document | None | 0 |
Sample record. Illustrative data.
Framing spread
neutrality is a reading of how far wording leans. It describes the lean and does not say a story is false.
Reports
Origins
Corrections
Sample record. Illustrative data.
Corrections
Outlet A adds a correction line under the original text.
CorrectedOutlet B changes the headline and adds a note.
CorrectedTwenty-two outlets have made no change.
No changeSample record. Illustrative data.
Story trace
Thirty-one reports, one origin: a single social post. No primary document. Two outlets have since added a correction.
Sample record. Illustrative data, no real organisation implied.
The same record, summarised. Each record has a permanent reference, so it can be cited.
An illustration of the difference between working from fragments and working from the record.
2 of 5 lines in the record
2 / 5
One origin, thirty relays, marked as such
The first appearance, timed in your local time
Framing guessed from the headlines
A response written to the loudest outlet
No record of what was known when
Drag the slider, or focus it and use the arrow keys.
Plain answers. If yours is not here, ask.
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